Selection of Works
01. Notes on (Briefly) There
Publication, Printed Matter, Illustration 2025
Notes on (briefly) There is a four-part bilingual publication project that collects perceptual fragments from travel (06–08/2025) and reassembles them through drawing, photography, and prose.
Rather than chase narrative closure, the work treats paper and small printed matter as sites for interruption, delay, and return — privileging presence over legibility.
Section A — Note on Being Briefly There
Poster as summarised knowledge
Section B — Appendix of Misread Places and Minds
Experimental illustration with concrete poetry
Section C — Unsolicited Travel Guide
Printed matter that ponders the blending of cultures through geographical shifts
Section D — Scattered Matters
An undeniable niche through small merchandise
Art direction at Somage Fine Foods
Art Direction, Packaging, Website, Social Media2023 - 2025
The rebranding of Somage Fine Foods redefines how philosophy-driven, human-centred, and functionally-oriented design can operate within a commercial landscape. Rooted in the idea of modern nature, the art direction translates ecological awareness into a refined visual system—where packaging becomes a sculptural publication on the shelf, and the website unfolds as a designed narrative.
Every touchpoint bridges sensory purity with strategic clarity, forming a visual language that turns daily consumption into a mindful experience—where beauty and business quietly coexist in the same soil.
Hyper Sensitive Club
A6 zine, Saddle Stitch
Zine, Risograph
A hypersensitive cheat sheet for surviving modern life with strange joy and soft defiance.
It’s stitched together from drawings, to-do lists, emotional rituals, domestic surrealism, and absurd wisdom. A place where anxious tea mugs speak, plants reflect your emotional state, and self-worth spirals beautifully on lined paper.
Rooted in personal coping mechanisms, it transforms everyday overstimulation into small visual poems:
A grin mistaken for love, a solo party with candles and judgmental cats, the space between pillow and the pillow case became the medium of podcast, a vase that carries le coup de foudre that’s yet to be born.
It presents a therapeutic visual language for those who feel too much, think too hard, and still want to make it beautiful. Not self-help.
Just self-reflection with a sharpie a touch of tea-fueled clarity.
Riso Posters
Risograph Poster2025
Presented at the 2025 NGV Art Book Fair, these Riso posters transform sketchbook fragments into poetic experiments in colour and tone. In collaboration with Sandwich Press, the works capture fleeting intervals of solitude and hypersensitivity, evoking both nostalgia and imagination. Through deep blues and layered hues, the prints reframe daydreaming as a generative act, where melancholy and boredom dissolve into a dreamlike architecture that blurs the line between reality and reverie.
The Upcycled Museum of Curiosities
Adjustable forms not limited to: Printed matter/publication, newspaper, large format poster prints. Research2023
The Upcycled Museum of Curiosities turns waste into wonder. Part speculative picture‑book, part surreal museum, it reimagines discarded materials as characters, textiles, and architectures. In this world, receipts become fabric, cookware sprout limbs, and packaging is re‑stitched into costumes.
Rooted in early childhood education and material literacy as huge parts of personal experiences, the project aimed to transform upcycling into more than an environmental gesture through creative and upcycle play. It becomes a storytelling method, a visual language, a ‘provocation’1. By combining play, sustainability, and creative pedagogy, the museum offers a model for rethinking design, adaptable to industries and institutions seeking imaginative responses to ecological urgency.
1. Note: In education, a provocation is a deliberate prompt, stimulus, or experience designed to spark curiosity, wonder, and inquiry in learners. It comes from the idea of “provoking” thought rather than directly instructing.
Take Hold of the Clouds
Exhibition Identity, 2022
Take Hold of the Clouds is a collaborative design ecology that blurs distinctions between identity, publication, and performance. It transforms typography into atmosphere, the catalogue into an interface, and accessibility into an aesthetic experience. Through the convergence of architecture, art, and design, the project reflects a contemporary condition — where the act of holding a cloud is both impossible and necessary, a metaphor for how we build meaning in transient times.
Who’s Afraid of Public Spaces
Exhibition Identity2022
Who’s Afraid of Public Spaces is a collaborative project born during the pandemic, where I led a group of designers to reflect on fear, tenderness, and vulnerability in shared environments. Through an online workshop, each participant designed a letter of “Public Spaces” based on personal emotions, forming an alphabet that embodies collective anxieties and attachments. The work transforms typography into a living diary and an architecture of unease, probing surveillance, the gaze, and the paradox of belonging and exposure in public life. Ultimately, it asks whether design can become a language of empathy that reveals both what we fear and what we long for in the spaces we share.
To:
Book Design2022, ABDA Longiste
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To: is an experimental publication that turns typography itself into both subject and medium. Conceived as a collective essay, it gathers designer-peers to write and typeset reflections on typesetting, creating a layered dialogue where intuition meets structure. Using colour-coded threads that blur into gradients, the book transforms technical traces into poetic gestures of error and touch. By alternating small and large typefaces, it also challenges legibility, questioning how rhythm and scale shape reading. Ultimately, it is both a reading experiment and a visual essay — a printed artefact where typography speaks as language’s most articulate conversation.